Radio Rage 
by Ron Danklefs
Writers Club Press, 2001
www.iuniverse.com
Thriller/Suspense
Paperback 175 pages
ISBN 0-595-08975-5 $12.95
Setting: San Francisco

Someone is attacking "different" people in San Francisco, and Benny Taylor is not going to take it. This is the premise behind Radio Rage, a novel of suspense written by first-time author Ron Danklefs. Benny Taylor is an old-school hippie with a deep love of pot and everything San Francisco stands for. When someone begins attacking those who make San Fran special, Benny notices a connection between the notes he leaves behind and the ranting of Chris Kodiak, a nationally syndicated radio host who hates everything not "middle America." After the attacker focuses on Benny's ex-fiancé (and lost love) Janet Stewart, he can't hold himself back any longer. Benny decides to take on this mystery attacker, and to try and figure out his connection to America's most vocal conservative.

    Radio Rage has a great premise and intriguing plot; unfortunately, the characterizations and dialogue leave something to be desired. The dialogue seems contrived and stiff at times, and some of the phrasing is awkward, causing the reader to stumble and move outside the story, even if for only a moment. The characterizations of Benny and Chris are more like caricatures rather than fleshed-out characters. Benny is the pot-smoking hippie who only works temp jobs; Chris is the fat bully who lashes out at everyone.

    Bottom Line: A good plot with less than stellar character development, Radio Rage is less of a rage, and more like a temper-tantrum. 

--2 out of 5 stars
--Elizabeth Westlake, Gotta Write Network reviewer
5/13/2002



Two Sisters and Louis Kincaid
An Interview with the author PJ Parrish

HOST WRTR Pale and I were conducting our Writer to Writer chat on AOL as usual one Tuesday. As always when the chat flow is stable I glance over to the "who is in the room" box. One name among our guests looked pretty familiar. I tried to place the name PJParish and it finally hit me. Hadn't I just seen a PJ Parrish book behind the Barnes and Noble counter that day? So I got brave and checked out the AOL member directory profile on PJ and sure enough, it was the author herself. Actually, it was one of the authors.

Kristy Montee and her sister Kelly Montee wrote "Dead of Winter," published in Jan. 2001 by Pinnacle. Not your average thriller, it follows Detective Louis Kincaid as he leaves his haunting past behind him to a new life in the tourist town of Loon Lake, Michigan. Problem is he dives into another investigation that leads him to one body after another and they aren't warm. The killer can be anyone. It's a mystery.

Born and raised in Detroit, Michigan, Kelly and Kristy went their separate ways in college. Kristy graduated from Eastern Michigan University with a teaching degree, but focused on Journalism instead. She was a police reporter and the features editor for the Southfield and Birmingham Eccentric newspaper chain in suburban Detroit. After moving to South Florida in 1973, she became a reporter, editor and eventually an assistant managing editor for the Sun-Sentinel in Fort Lauderdale. She also served as a dance critic for 18 years before leaving Journalism in 1985 to write fulltime. She currently lives in Fort Lauderdale with her husband, Daniel, who is a deputy managing editor with the Sentinel. According to her sister, when Kristy's not writing she's trying to "tame her jungle garden" and learn how to play the piano.

As for Kelly, she attended Northern Michigan University in the state's remote Upper Peninsula. She moved to Arizona and later settled in Laughlin, Nevada. For the last 15 years, she worked in the gaming industry "doing everything from tending bar to dealing blackjack." Several years ago, she moved to Philadelphia, Mississippi where she's employed in the human relations department of a Native American casino. She's just relocated outside of Memphis. When she's not at work, she's taking classes in criminology or spending time with her two daughters, son and three grandchildren.

Kristy and Kelly are currently trying to meet their publishers' deadlines for their third and fourth Louid Kincaid novels and working on a second series set in the Las Vegas' casino world featuring a female detective.

Time to learn about Kelly, Kristy and the man they call Louis Kincaid.

Denise: Did you feel that if you combined your skills you would be increasing your writing capabilities? How does your writing schedule work for both of you?

Kelly: Combining talents was the best thing we ever did. On the advice of our agent-then her agent-Kris decided to tackle mystery/thrillers. It's a tough jump for most people to change genres, so she contacted Kelly, who, in addition to her desire to write herself, had some law enforcement contracts and a major interest in cops and what they do.

Denise: Have you always been followers of fast-paced thrillers?

Kelly: Kris prefers a slower-paced mystery and heralds Joyce Carol Oates as her favorite. I lean toward the quick read, ala John Sandford and in past years, Sidney Sheldon. But that's for reading. In our books, we work hard to make them page turners, but we place great emphasis on other aspects of the book as well.

Denise: How did two nice sisters create soul-deep fear in the tourist town of Loon Lake, Michigan? In a book, of course.

Kelly: We're so glad you asked. You must have felt the fear. It's difficult to say exactly how an atmosphere is created. It's done with a phrase…a character's actions..or often in the subtle things, like the weather or an animal. And it builds. We get many comments on the atmosphere created in "Dead of Winter" and are pleased our readers felt the 'chill.'

Denise: Tell us about your killer and what's driving him to commit crime after crime.

Kelly: That's difficult to answer without giving something away. We will tell you all our villains are three-dimensional and we hope our readers, while not necessarily finding sympathy with them, will at least understand a bit of the 'why' behind their crimes.

Denise: So Detective Louis Kincaid has come to Loon Lake hoping to forget all the horrors of his past. Wrong move, huh?

Kelly: It certainly was. Louis will travel a common road throughout the first few books as he searches for a home. He will continue to hope for that 'big city' job, but it will elude him for awhile. Part of the underlying theme for "Dead of Winter" was that things are not always as they seem.

Denise: I understand that you carried over Kincaid's character from book one. Are you moving in the direction of a series?

Kelly: Yes, this is definitely a series. We've just signed for book 3, titled "Paint it Black" and a 4th. Hopefully, we will see many more adventures with Louis. We have also completed the first book of a different series that features a witty female amateur sleuth as its protagonist. This series still awaits submission, so it's on the back burner for awhile longer.

Denise: Can you share the plots of both books and tell how they differ?

Kelly: "Dark of the Moon" was a story written from the heart and actually birthed Louis as an investigator and cop. Because the book carried heavy racial overtones, it was difficult to write and get involved in a growing process for both the authors and Louis. "Dark of the Moon" was extremely personal for Louis. The second was more procedural and affected him less as a man and more as a cop, which is often a distinction Louis has difficulty making.

Denise: Where do you begin these days in terms of research when writing mystery/suspense/crime novels?

Kelly: It depends on what type of plot we're involved in. Research is very important and we work diligently to make sure the ballistics, gun models, locales and other incidentals are accurate. However, even the best laid plans go awry. For example, in "Dead of Winter," we have Louis and his partner listening to Loons. As one reader told us: "They may be loony (the birds), but unlike me, they go to Florida for the winter." Oh, well.

Denise: Are you both members of Sisters in Crime?

Kelly: We belong to The Mystery Writers of America. We are not members of Sisters in crime.

Denise: Do you leave your readers breathless? What do you hope to deliver - a chilling tale, a compelling story or a character your readers will never forget?

Kelly: All of the above. We work hard at making our books page turners, but harder at making sure it is the characters who make the pages worth turning.

- --Denise Fleischer, GWN Online, editor
Netera@aol.com 5/10/2001


SLEUTHFEST 2001
by J. Hal Forbes

After a hiatus in the false Millennium year two thousand, between March 16, and 17 this year, the Mystery Writers of America's Florida Chapter kicked off the twenty first century with a humdinger writer's conference.  The chapter's trench coated, meerschaum smoking, Pink Flamingo oversaw a two-day schedule of no nonsense, get down to the nuts and bolts of the craft presentations and panel discussions leavened by fun and camaraderie with south Florida tropical panache.

The Conference Committee provided a palette to engage  serious writers from the aspiring "pre-published " to the veteran wordsmith.  Panels discussed the advent of E-pubs and Print-On-Demand houses, and the latest twists in the electronic rights fandango between writers and their publishers.  

Hour long sessions ranged from pragmatic, Surviving in a Shrinking Market, to esoteric, The Religious and the Profane-Religion in Mysteries.  The neophyte could listen to Pulitzer Prize winner Daniel Keyes discuss the writing process.  Or, best selling author Barbara Parker get down to the basics of organizing a manuscript, and Elaine Viets give tips on synopsis, and query letters.   The full program schedule can be reviewed and audio tapes of the sessions requested at http://www.mwa-florida.org

This writer, having committee duties and two presentations, can share personal observations on a few of the events and sessions.   Friday evening's cocktail hour and 100 Hundred Favorite Mystery Game Show proved cordial, entertaining, and informative. Teams competed in a mystery trivia contest derived from this century's favorite mysteries.  My good friend, Aileen Schumacher's team won.  

Saturday morning's Breakfast with the Editors provided the realistic, if less than pleasant taste of mainstream publishing's party line.  The fiction market is shrinking. They really rather not be bothered with lots of new authors.  Only those with proven best seller track records should presume to take up their precious time with manuscripts.  Unless of course one can assure them one's manuscript is the next breakout million copy seller.  After the session they tried unsuccessfully to explain to this writer the rational relation between an asserted ten percent drop in market and a fifty percent constriction of their "list".  One should check the statistics now available on 1999 and 2000 at http://www.publishersweekly.com/ and http://www.bookweb.org/  before accepting there is actually a shrinking fiction market.   A final note on the Editor's breakfast.  Don't bother sending Genny Ostertag(New American Library) any manuscript with cats, in it. She made her preferences in that regard all too clear.  Though Ms. Ostertag  did not speak to her feelings toward canines, I'm sure one can expect a decision based on the literary merit of one's manuscript if one eliminates all feline references.

Harlan Coben's Keynote address at Saturday's lunch lingered on the palate fine and pleasing .  The Edgar winner reminded us that writers should write what we love and, thereby, love writing.  His humorous recount of why the covers of his first three novels caused his wife to call them the "Bloody Balls" series instructed us that we shouldn't let the publishing turkeys grind us down.

Sunday's Brunch gave us a smorgasbord of insights from booksellers into to marketing realities from shelf space allocation to coordinating signings. 

While this writer actually attended the two sessions he presented, I wouldn't presume to objectively assess my scintillating oratory.

Get a refreshing tropical exposure to the world of publishing.  Experience the exhilaration of learning from a master of the creative process, Daniel Keyes ( thirty year professor of creative writing, author of Pulitzer prize winning ‘Flowers for Algernon').  Shiver from the cold arrogance of a New York editor sharing the insight that she reads every new manuscript looking for a reason to reject.  Set aside the last two weeks of March 2002 for a trip to balmy South Florida and SLEUTHFEST 2002.


.Storm Warning
by Dinah McCall

Dinah McCall creates an environment of chilling suspense in her new novel, STORM WARNING, from MIRA Books. The mystery unfolds when a secret, buried deep in the subconscious minds of a group of seven children, comes back to haunt them as adults.

Ginny Shapiro, a reporter for a St. Louis newspaper, can hardly believe the letter and clippings she receives from her girlfriend, Georgia, now Sister Mary Theresa of the Sacred Heart Convent. Five of their schoolmates from the prestigious Montgomery Academy are dead - and Sister Mary believes she and Ginny might be next!

According to the newspaper reports, each of the five women - living in different parts of the country and all seemingly in good health and spirits - received a mysterious phone call and, virtually minutes later, each was dead. The only thing that links them together is their attendance in a special Gifted and Talented Class at the Montgomery Academy.

Ginny moves quickly to contact her old friend, only to discover the most compelling proof of the theory: Sister Mary is dead.

Ginny stares at the photograph of the seven smiling schoolgirls from the exclusive school. Now, six of them are dead and only she is still alive. The phone rings…and Ginny knows she cannot risk answering. She must flee her normal surroundings until she can figure out how to solve the mystery.

As Ginny prepares to go into hiding, she is unaware that FBI Agent Sullivan Dean has also received the photo and information from Sister Mary. Tracking Ginny to an isolated cabin in Mississippi, he's determined to keep her from becoming the next victim and to discover what happened to the seven young girls twenty years ago.

The answer is locked deep in Ginny's memory; and the key is somewhere in the dangerous world of mind control, where a sound, a word, a voice, can trigger death. As they wait out the killer in the FBI safe house, Ginny and Sully are drawn closer and closer together.

With an entire task force on the job, new clues are uncovered - but the world is closing in. As the passion between them explodes, they know that death is within arm's reach…every time the phone rings.

STORM WARNING by Dinah McCall will be available wherever paperbacks are sold or through www.mirabooks.com. An audio recording is also available from dh audio.

MIRA Books
ISBN # 1-55166-808-4
May 2001
$6.50 U.S/$7.99 Canada


Mahogany Row
by Wayne J Keeley
215 pages-© 2000
ISBN 1-58124-671-4
Paperback

Mark McCoy is a lawyer with a problem. His boss has been murdered and he is the prime suspect. He had motive, opportunity and no alibi. While being pursued by the law, his own lawyer advises him to turn himself in to the authorities. McCoy's life is threatened several times while gathering evidence that would not only clear his name, but bring the murderer to justice.

We follow McCoy through the streets and subways of New York in search of any information that will clear him, while he is pursued by an unknown entity that is dead set on his destruction. Death follows McCoy in his search for the truth as he tangles with forces on both sides of the law.

While this scenario is sturdy and has witnessed many renditions, the writer here has failed to engross this reader. Much of the content of the story is concerned with explaining the legal system and its procedures. Mr. McCoy is pronounced "guilty" without explanation and the evidence he seeks to uncover is not established as a valid avenue. It seems the writer wants to keep the story's concept a secret until the very end.

The people appear shallow, having no particular personalities, and the dialogue offers little insight to their character traits. The pursuit for justice is noble, but this story takes the reader into the little-understood world of legal procedures, while expounding the writer's understanding of these procedures. We see McCoy trying desperately to clear himself, but the evidence uncovered is vague in its relevance to the story. McCoy knows what he is going after, but the reader has no clue as to why this avenue was chosen.

As an avid reader for many years, when comparing this work to the efforts of other writers, I can offer only one Dagger out of five.

Walter Ihlefield, GW Online Book Reviewer
"Banshee Rising"
"Controlled Conclusion"

MAHOGANY ROW, A LEGAL THRILLER, MAKES THE PAPER GRADE FROM E-BOOK TO PAPERBACK

Mahogany Row, a legal thriller penned by entertainment attorney and Emmy award winner, Wayne J. Keeley, was upgraded from E-Book to Paperback version by The Fiction Works, one of the first publishers of e-books.

The upgrade occurred because of the tremendous demand for this gritty, “being real” novel about the legal profession. Keeley has chosen to tell it like it is, much to the chagrin of the legal brotherhood.

Set on the streets of New York, the novel spins a yarn about an associate who is framed for the murder of his boss. The protagonist, attorney Mark McCoy, has a credibility problem. Everyone, including his lawyer, thinks he brutally killed his boss. He had motive, opportunity and no alibi. His only chance is to remain a fugitive and prove his innocence. Not an easy task with a relentless detective, a killer and a Goliath law firm out to take him down. The body count rises as he uncovers dark and sinister secrets about his kinky boss, his loyal girlfriend and his white shoe firm.

THE MYSTERY TAKES YOU TO THE FINAL PAGE AND A SURPRISE ENDING THAT RIVALS THE SIXTH SENSE.

From first page to last page, the novel is a non-stop, roller-coaster ride of twists, turns and red herrings.

Soon to be followed by Mr. Keeley’s second novel, RIGHT TO LIFE, which, as its name implies, is right out of today’s headlines.

Contact: Wayne J. Keeley at www.medialawman.com

Ray Hoy at www.fictionworks.com


Night Crimes
by Judith Woolcock Colombo
AmErica House, Baltimore
ISBN: 1-58851-174-X Released in April 2001

Review by Carolyn Howard-Johnson

NIGHT CRIMES is as much about love as it is about insanity, as much about psychology as it is about crime.  It's also about soul, self-expression and art.

 All that makes it a lot more than a tense thriller for a lonely night.  Still, although no one gets cannibalized in NIGHT CRIMES in terms of pure terror, this is a novel that will give Silence of the Lambs a run for its money. 

Colombo not only writes us into the heads of a sweet-souled cop, an artistically-edgy mother and wife, but also into the very minds of a psycho or two.  Well, OK. More than two.  One is an artist, the other a poet; both love their victims. As readers we get to compare their motives, their reasoning, their modus operandi.  We come to respect their talents and their humanity; we are angered by their lapses in reasoning, their uncontrolled insanity.     

My favorite villain--if you can call him that--is an observer of the night.  He is a poet, though he may not be aware of this talent  (He views himself as God's instrument for death).  Still, he treats us to simple poetic descriptions of his world: "The moon paints patterns on the water's surface," he says.   He is a bard with an intimate knowledge of death: "The desire for death cannot be a passing whim.  It is an unreturnable gift."  He knows death up close, can feel it, express it, smell it. If you are a curious sort, you'll want to experience death the way he sees it and tells it. 

If some Hollywood producer doesn't pick this up to chill the summer of 2002, it's their loss. It can be ordered at www.publishamerica.com.

(The reviewer, Carolyn Howard-Johnson, is the author of  THIS IS THE PLACE, a novel about love, prejudice, and redemption set in Utah in the 1950s.  For more information go to: www.tlt.com/authors/carolynhowardjohnson.htm.)


Cat in a Leopard Spot
A Midnight Louie Mystery by Carole Nelson Douglas

Forge
Hardcover
384 pages
April 2001
ISBN: 031285370X
$24.95

On the Spot Reading

I'm not a cat person or holy moly Batman a cat woman, but I love to read mysteries where cats solve the crimes. From the Koko and Yum Yum series by Lillian Jackson Braun to the Sneaky Pie series by Rita Mae Brown, frisky felines are often smarter than their human counterparts. Both the cat and the humans are great in Carole Nelson Douglas' Midnight Louie series.

The latest is Cat in a Leopard Spot. If you look at all the titles, you'll notice colors are featured in the titles whether it's Cat in a Golden Garland or Cat in a Crimson Daze. The only colorless titles are the first two books, Pussyfoot and Catnapped.

For the unfamiliar readers, the first chapter in Leopard Spot summarizes all the action and characters so far. Temple Barr, a freelance public relations person, lives in Las Vegas with her cat Midnight Louie. Her boyfriend Max Kinsella, a magician, lives a cloak and dagger life as a former CIA operative. His enemies are Matt Devine, an ex-priest turned telephone counselor turned radio personality and Carmen Molina, a single mother detective who is trying to arrest Max for something, anything and who resents Temple's meddling in her cases. Las Vegas is the perfect setting for kooky characters and murder with its garish hotels and nightlife. It's also a perfect place for a Sam Spade wannabe-like Louie to look for clues.

In this particular book, a leopard is kidnapped from the Cloaked Conjurer, a magician whose trade is to expose what really happens on the magician's stage. He enlists Max's help in finding the leopard, and of course, nosy Temple helps. They finally trace the leopard to a "canned hunt" business where animals are easily killed off by amateur hunters who proudly display their kills in their homes and offices. Cyrus and Leonora Vanderleo (who has had plastic surgery to resemble a lion) are the eccentric owners of this place. Cyrus is murdered, and suspects include Leonora and animal rights activists. While Max and Temple try to get the leopard back and solve the murder, Midnight Louie and his cohorts Midnight Louise (who claims to be Louie's daughter) and Golda and Groucho, twin terries with amazing sniffing powers, do the same. Meanwhile, Devine has to deal with a stalker from previous books, and Molina, in addition to her normal police work, is on the lookout for her crooked ex-husband and child's father.

Since I've kept up with reading the series, I obviously like the books. This book is just as good as the other ones. The humor (especially in the chapter titles) and the character development stand out. The mystery series is like joining old friends for another adventure. The only problem might be that so much is going on, and unrelated subplots, such as Temple going on a Judge Judy-like TV show,  are thrown in that distract from the rest of the book. Yet like old friends, I can forgive them.

Niki Taylor, GWN Online Book Reviewer
6/13/2001